A love letter to Danish form

Calm, deliberate, and beautifully balanced. The Lani Elskede draws from Danish design tradition — where every line has purpose and warmth lives in restraint.

Crafted in white oak, with walnut also available, its sculpted legs flow seamlessly into the frame, giving strength, softness, and quiet confidence.

Named after the lively, sun-splashed artery that runs through San Francisco’s Mission District, the Valencia table captures the same mix of color, texture, and rhythm found on the street itself. Its bookmatched Claro Walnut slab top ripples with figure and flame, divided by a subtle inlay of solid brass that gleams like afternoon light on glass storefronts. A sculpted trestle base grounds the piece — elegant, muscular, and meant for gatherings that stretch long into the night.

Behind the curved walnut tambour of Lani Lobes, a hidden speaker quietly rises — the door opening like a stage curtain for sound. Every movement choreographed by a linear actuator, merging engineering and intimacy in one gesture.

A study in order and excess — much like its namesake — Foster Wallace balances function, wit, and restraint. The curved tambour base hides cable storage and power routing behind sculpted walnut slats, while a removable keyboard stand tucks neatly into its architecture. Designed for those who live between clarity and chaos, it’s a meditation on the machinery of sound and the beauty of structure.

A rhythm in form. Three interlocking walnut stands become a performance system — individual voices joined into one body. Each unit adjusts in angle and position, letting your Elektron machines rise in unison. Crafted in solid walnut with brass hardware, Stakt blurs the line between instrument furniture and instrument itself.

A study in restraint and proportion. Grant pairs a hand-laid white oak chevron top with traditional breadboard ends and a sculpted trestle base. Every joint, seam, and surface speaks to balance — geometry softened by grain, precision warmed by touch. Built to endure and invite, it’s the kind of table that anchors a room quietly.

Broad-shouldered and unapologetic, Van Ness carries a single, massive Claro Walnut slab on a sculpted trestle base of matching walnut. Named after one of San Francisco’s grand boulevards, it’s a table built for presence — bold, architectural, and honest in its scale. Every inch celebrates the weight and grain of true hardwood, finished to a quiet glow that rewards touch.

Where form meets stillness. The Lani Grounds table rests low and wide, its solid walnut or oak planes meeting at soft, grounded angles. Designed as both sculpture and furniture, it carries the same quiet sensuality as the rest of the Lani series — curves that suggest touch, balance that feels inevitable. Every surface invites the hand; every joint speaks to intention.

A credenza that listens as much as it speaks. Lani Lobes takes its name from the soft, curved geometry of the human ear — its tambour doors carved from highly figured Claro Walnut that slide open in a slow reveal. Inside, audio and light move in harmony, powered by linear actuators and hidden channels that let music emerge like breath. Every radius and surface is tuned for resonance, a conversation between sound, wood, and touch.

A study in movement and memory. Geary runs the length of Japantown in San Francisco — a street of layered culture, craft, and light — and the table named for it carries the same calm discipline. The top, made from a single slab of Big Leaf Maple, rests on a Japanese-inspired trestle base with sculpted joinery and deliberate balance. A meeting of California timber and Japanese restraint, built for the spaces where heritage and home converge.

An heirloom-quality dining table in Claro and Black Walnut, set on a trestle base that blends traditional craftsmanship with contemporary lines.

Named for San Francisco’s famously winding street, Lombard brings motion to stillness. Its broad, bookmatched Claro Walnut top ripples with mirrored grain, floating effortlessly on a cantilevered base that twists just enough to suggest movement. A balance of tension and grace — strength hidden beneath elegance — it’s a table that turns the predictable into poetry.